Details
Irène Némirovsky's Russian Influences
Tolstoy, Dostoevsky and ChekhovPalgrave Studies in Modern European Literature
96,29 € |
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Verlag: | Palgrave Macmillan |
Format: | |
Veröffentl.: | 30.11.2020 |
ISBN/EAN: | 9783030442033 |
Sprache: | englisch |
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Beschreibungen
<div>This book explores the influence of Tolstoy, Dostoevsky, and Chekhov on Russian-born French language writer Irène Némirovsky. It considers the complexity of each of these relationships and the different modes in which they appear; demonstrating how, by skillfully integrating reading and writing, reception and creation, Némirovsky engaged with Russian literature within her own work. Through detailed analysis of the intersections between novels, short stories and archival sources, the book assesses to what degree Tolstoy, Dostoevsky and Chekhov influenced Némirovsky, how this influence affected her work, and to what effects. To this aim the book articulates the notion of creative influence, a method that, in conversation with theories of influence, intertextuality, and reception aesthetics, seeks to reflect a “meeting of artistic minds” that includes</div><div>affective, ethical, and creative encounters between writers, readers, and researchers.</div>
<p>1. Introduction; Creative Encounters over Time and Space: Writers, Readers, and Researchers.- 2. From Russia to France, via England: <i>Suite française</i>, <i>War and Peace</i>, and E. M. Forster.- 3. Departing from Tolstoy: Polyphony and Monologism.- 4. Beyond Tolstoy: Music.- 5. Dreams from Underground.- 5. The Abject.- 6. An Anthropology of Suffering.- 7. <i>La Vie de Tchekhov</i>: A Romanced Biography.- 8. <i>La Vie de Tchekhov</i> in the 21<sup>st</sup> Century.- 9. Conclusion: A Russian Suite.</p><div><br></div>
<div>Marta-Laura Cenedese works as a postdoctoral researcher at the Turku Institute for Advanced Studies (TIAS) and the department of Comparative Literature, University of Turku, Finland. She studied at the University of Venice Ca’ Foscari, Italy, Sciences-Po Paris, France, and completed her doctoral degree at the University of Cambridge, UK. Her research deals with twentieth- and twenty-first-century literature, narrative hermeneutics, cultural memory, multimodal storytelling and affective research practices.</div>
<div>This book explores the influence of Tolstoy, Dostoevsky, and Chekhov on Russian-born French language writer Irène Némirovsky. It considers the complexity of each of these relationships and the different modes in which they appear; demonstrating how, by skillfully integrating reading and writing, reception and creation, Némirovsky engaged with Russian literature within her own work. Through detailed analysis of the intersections between novels, short stories and archival sources, the book assesses to what degree Tolstoy, Dostoevsky and Chekhov influenced Némirovsky, how this influence affected her work, and to what effects. To this aim the book articulates the notion of creative influence, a method that, in conversation with theories of influence, intertextuality, and reception aesthetics, seeks to reflect a “meeting of artistic minds” that includes affective, ethical, and creative encounters between writers, readers, and researchers.</div>
Makes an important and innovative contribution to the existing scholarly discourse on Némirovsky’s place in twentieth century literature Offers unparalleled insights into the processes through which Tolstoy, Dostoevsky and Chekhov have marked the next generations of Russian writers Adopts an innovative methodology which fuels the conversation on the aims and methods of ‘comparative literature’
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