Details
Between Norteño and Tejano Conjunto
Music, Tradition, and Culture at the U.S.-Mexico BorderMusic, Culture, and Identity in Latin America
44,99 € |
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Verlag: | Lexington Books |
Format: | EPUB |
Veröffentl.: | 11.06.2021 |
ISBN/EAN: | 9781793638991 |
Sprache: | englisch |
Anzahl Seiten: | 172 |
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Beschreibungen
<p><span>Between Norteño and Tejano Conjunto</span><span> analyzes the origin, evolution, and dissemination of the norteño and tejano conjunto. This group represents a marginalized local identity that was transformed primarily into an identity of the northeast. It then gave way to the whole of northern México and the American Southwest, and was later assimilated internationally as a mainstream genre. This book provides a long-term historic vision of conjunto and the various musical forms it uses, such as polka, corrido, or canción (song), and, more recently, bolero and cumbia, as well as its transformations and contributions to other musical cultures.</span></p>
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<p><span>Between Norteño and Tejano Conjunto</span><span> analyzes the origin, evolution, and dissemination of Norteño and Tejano Conjunto, as part of a regional-transnational identity in the US-Mexico border.</span></p>
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<p><span>Table of Contents</span></p>
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<p><span>Chapter I</span><span> Border Territory: Nuevo León and Texas from Colonial Times to the 19th Century </span></p>
<p><span>Chapter II </span><span>Precursors to Conjunto: Culture, Migration and Border Identity </span></p>
<p><span>Chapter III</span><a><span> The First Epoch of Conjunto: The Instruments, Musical Forms and the Media </span></a></p>
<p><span>Chapter IV</span><span> Conjunto: From Subaltern Mexican Culture to American Cultural Treasure </span></p>
<p><span>Chapter V</span><span> Transformation and Recent Trends in Conjunto </span></p>
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<p><span>Chapter I</span><span> Border Territory: Nuevo León and Texas from Colonial Times to the 19th Century </span></p>
<p><span>Chapter II </span><span>Precursors to Conjunto: Culture, Migration and Border Identity </span></p>
<p><span>Chapter III</span><a><span> The First Epoch of Conjunto: The Instruments, Musical Forms and the Media </span></a></p>
<p><span>Chapter IV</span><span> Conjunto: From Subaltern Mexican Culture to American Cultural Treasure </span></p>
<p><span>Chapter V</span><span> Transformation and Recent Trends in Conjunto </span></p>
<p><span>Luis Díaz-Santana Garza</span><span> is professor of music history and guitar at the Autonomous University of Zacatecas in Zacatecas, Mexico.</span></p>